Aurore: Chan Aye
site-specific installation
Palais de Tokyo, Paris

Oct 2014 - May 2015

Flanking the central staircase are four distinct yet connected scenes, in which Chan Aye evokes the shifting nature of humanity, its connectedness to the natural environment that morphs time and is morphed by time itself. Self-created and ancient symbols, perspectival and perceptual play of impossible spaces, and trompe l’oeil technique coupled with real objects, serve as projections towards some of the ancient concerns that still haunt our contemporary sentient life.

Press Release: here

Invitation based on research in Myanmar in 2014 for Palais de Tokyo, in partnership with Fondation d'entreprise Total.